Differences
This shows you the differences between two versions of the page.
| Both sides previous revision Previous revision Next revision | Previous revision Next revisionBoth sides next revision | ||
| improving_reality_2013 [2013-09-09 09:40] – nik | improving_reality_2013 [2013-09-09 09:43] – nik | ||
|---|---|---|---|
| Line 1: | Line 1: | ||
| ==== Improving Reality 2013 ==== | ==== Improving Reality 2013 ==== | ||
| - | http:// | + | * http:// |
| - | + | | |
| - | [[https:// | + | |
| === notes/ | === notes/ | ||
| Line 19: | Line 18: | ||
| * Anne Balsamo. " | * Anne Balsamo. " | ||
| * Donald Schön. Designers have a reflective conversation with materials | * Donald Schön. Designers have a reflective conversation with materials | ||
| - | * Ezio Manzini. material is the intersection between what is thinkable and | + | * Ezio Manzini. material is the intersection between what is thinkable and what's possible |
| - | what's possible | + | |
| * Bruce Sterling. "User Stockholm Syndrome" | * Bruce Sterling. "User Stockholm Syndrome" | ||
| - | * Kirby. Labcoats in Holywood (on the relationship between cinema and | + | * Kirby. Labcoats in Holywood (on the relationship between cinema and technology) |
| - | technology) | + | |
| * Frank and Lilian Gilbreth. Time and Motion studies. Light painting and ergonomics in 1914 | * Frank and Lilian Gilbreth. Time and Motion studies. Light painting and ergonomics in 1914 | ||
| * S. Doll, C. Bartle: Immaterial (Ghost in the field) | * S. Doll, C. Bartle: Immaterial (Ghost in the field) | ||
nik